For Yen Griffiths, the brand's creative director, the starting point for the spring-summer collection was science and magic. The designer took inspiration from a discipline "that requires its students to believe that a cat can be both alive and dead and explores the mind-boggling world of irrational, imaginary, and transcendental numbers. Who said there was no mystery in mathematics?"
In the meticulously crafted collection, everything was built on understandable yet truly elegant clothing, with a color palette seemingly borrowed from laboratory vials. The collection featured crystal-clear white, copper oxide, deep black, silver nitrate, and a shade of blue reminiscent of delphinium flowers.
Perfectly fitted maxi skirts were paired with white shirts, with the rolled-up cuffs peeking out from jacket sleeves; knit dresses with cut-outs accentuated the figure; suede jackets (also with rolled-up cuffs) were paired with minis, and a jacket with a high collar was matched with high-waisted micro shorts. Bags were worn around the waist, freeing the hands, and comfortable sandals (inspired by Greek sandals) adorned the feet. Kimono jackets were also noted, once again confirming the industry's focus on the Asian market and that "science is a kind of magic that works."
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